Skip to main content

The Mosque in the city


    The Grand Mosque of Rome stands as an awe-inspiring example of Islamic architecture and cultural richness. Its grandeur and magnificence left me in awe as I marveled at the intricate details of the tiles, and soaring pillars, as well as how the Mosque itself was designed to resemble a garden dotted with Palm tree. What truly took me by surprise, however, was the warm and welcoming nature of Imam, who was also our tour guide. I didn’t expect him to be to be warm and welcoming and I expected some level of reluctance because we were not Muslim. However, we were met with open arms and genuine hospitality; he was also very detailed when giving the tour. The imam engaged us in friendly discussions about the Islamic faith, culture, and the history of the mosque. This open-minded and accepting attitude was truly heart warming, and it reminding me of the power of mutual respect and understanding in bridging religious and cultural divides. Furthermore, the fact that the Mosque was described as a being “open” in the sense that it provides an open space for prayer for all Muslims was an eye opener; it didn’t matter if one were Sunni or Shiah, in Rome, any Muslim can worship there. I found that starkly in contrast with my pre-conceived notions of Islam since I perceived Muslim, like Christians and Jews to be highly fragmented to the point of violence and mistrust (take for example, the Iran and Saudi Arabia situation). Furthermore, I had pre-conceived notion that Muslims were generally intolerant towards non-Muslims and generally adapt an attitude of needing to “convert the other”. However, my visit to the Grand Mosque of Rome was a humbling and enriching experience, leaving me with a deep appreciation for the beauty of diversity and the warmth of the Muslim community in Rome, and turned my biases upside down. The Imam wasn’t trying to “convert” us, but was trying to genuinely explain the beauty of his faith. One question that I had in mind however was that is it all the same in the world? Will my experience here in the Grand Rome be the same, if let’s say, I walked into a Mosque in New York City, or Birmingham England? I guess the only way to find out is if I visited these other Mosques.

Until next time!

Comments

Popular posts from this blog

Parting ways

Our last dinner with the University of Toronto group was truly memorable. Overall, the Rome trip wa a great experience and I learned a lot about ecumenism, something I had no experience with before. The concept of ecumenism as a dialogue, where one can be "strong in their identity yet open to dialogue", really resonated with  It's inspiring to see how such an approach can foster understanding and unity, even with our own "small group" from Toronto, there was so much diversity (again, it included an Anglican priest, a secular Jew, and 3 Catholics). Yet, despite our differences, there will always be a way to talk and talk to each other, if they share space with each other. I will truly miss this group , and the larger group at the Centro Pro Unione. I am looking forward to more enlightening conversations and shared ecumenical experiences in the future!  Very grateful again to Dr. Attridge, Dr. Skira and the RSM management for this wonderful opportunity! Until next

Welcome! Rome Ecumenism Course - 2024

Welcome to our journey of studying ecumenism and interfaith relations in Rome in the summer of 2024. Please visit often as we share insights, new learnings, adventures, pictures, etc., from our three weeks in the eternal city. We’re glad to have you along!

The Old and The New

Chiostro del Bramante (Matteo Carboni) Rome is a city in which the modern world plays with the past. To me, the Chiostro del Bramante, stands as an example of the ways this occurs in the Eternal City. The Chiostro was a monastery designed by Donato Bramante (1444-1515) and commissioned by Cardinal Oliviero Carafe around 1500 CE. Bramante incorporated elements of Greek and Roman architecture so characteristic of the Renaissance. Today, the Chiostro is a social and cultural hub in Rome. Part of the building features art exhibits. The current exhibit,  Emotion: Contemporary Art Tells the Story of Emotion , highlights the work of several artists from around the world. What struck me, as I walked through the installations, is how the modern art incorporated elements of Bramante's Renaissance architecture and decorations. Rather than hiding the ceilings and floors, many of the installations incorporated elements of building into the contemporary art. By doing this, the exhibit created an